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Amigos Magazin Nr/ by Victoria Höreth - Issuu
The authors bring to light the debt twentieth century modernist architects owe to the vernacular building traditions of the Mediterranean region, a geographical area that touches three continents Europe, Africa and Asia. This book is subdivided into two sections of essays by an international group of scholars who adopt a number of different methodological perspectives. The first part discusses architects who lived and worked in Mediterranean countries. It examines how they and their designs addressed and negotiated complex politics of identity as a constituent of a multilateral vision of modernity against the prevailing machine age discourse that informed canonic modernism at the time. The second part maps the contributions of architects of non Mediterranean countries who travelled and occasionally practiced in the Mediterranean region, as well as those who took a radical stand against Mediterranean influences.
Enrique Granados Poet of the Piano
The rest of Western Europe is also well represented with reports from a wide range of theatre centers, among them Paris, London, Berlin, Dublin, Oslo, and Helsinki. For the upcoming fall issue we will foreground, as usual, spring and summer theatre festivals in Europe. We welcome, as always, interviews and reports on recent work of interest anywhere in Western Europe. Western European Stages is supported by a generous grant from the Sidney E.
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